Tuesday 25 June 2013

DRAFTS AND DETAILS FOR EXP 3

DRAFTS AND DETAILS

CryEngine Experimentation - Drafts:





Sketchup Drafts:





Elevators: 

The interior elevator:


The Dean's Elevator:



The Student's Elevator:






Specific Room Details:

Folly:








First Floor: Lecture Theatre:



Ground Floor:

Entry:


Galley:




Study Rooms:





Library/Student Meeting Rooms:



FIRST FLOOR BELOW GROUND:

Studio spaces/ Classrooms:



Computer Labs:






Workshops:



SECOND FLOOR BELOW GROUND:

Research Space for Academic Staff:


Meeting Rooms for Staff:




THIRD FLOOR BELOW GROUND:

Offices for Academic and General Staff:


ADDITIONAL EXTERIOR PHOTOS:














Sketchup Model:








The embedding appears to not have been successful, here is a dropbox link instead:

https://www.dropbox.com/s/93y9ucu1y1xbeyw/ARCH1101_EXP3_FINAL_SUBMISSION.skp

Monday 24 June 2013

EXP 3 - THE BRIDGE FINAL SUBMISSION

FINAL SUBMISSION

MASH UP:

Conflicts of society are the main ingredients in the analytical work of creating architecture. Instead of looking at the conflicts of a given project as limitationsa structure works perceptually as the product of these conflicts and tensions in the psyche of the individual. The reconstruction of an object made necessary by this process of analysis and reduction, involves the use of codes which are themselves meaningful and coherent,and are “a way to incorporate and integrate differences … by tying conflicting interests into a Gordian knot of new ideas.” This involves the dismantling of the preconceptions which would allow one to have a ready-made idea of what a “house” is, and insists that the observer or user carry out a reconstruction of the object.

The ideology of form seems to abandon its own vocation of realism, no sematic distinction exists between functions and forms. An attempt is made to counteract the processes that have concretely risen above the ideological level by recuperating Chaos,they reinforce each other to produce meanings which extend in an unbroken chain from the most habitual and redundant to the most complex and information-laden. Therefore,architects tie conflicting parts together and hereby create something radically new.    



"Yes Is More: The BIG Philosophy" 06 May 2013. ArchDaily. Accessed 15 May 2013. <http://www.archdaily.com/366660 >

Manfredo Tafuri, “Toward a Critique of Architecture Ideology,” Contropiano 1 (January –April 1969). Accessed 15 May 2013. < http://www.uni-weimar.de/cms/fileadmin/uni/files/architektur/atheo/intern/13ss_modernA/The_Theory_of_Architecture_1968.pdf >


Alan Colquhoun, “From Bricolage to Myth, or How to Put Humpty-Dumpty Together Again,” Oppositions 12 (Spring 1978). Accessed 15 May 2013. <http://isites.harvard.edu/fs/docs/icb.topic642734.files/Lefebvre_Production%20of%20Space.pdf  >

18 PERSPECTIVE DRAWINGS:



36 CUSTOM TEXTURES:



TEXTURE USE IN SCHOOL: 





ATTENDANCE AT FINAL TUTORIAL:


Valley Inspiration:

Meteora, Greece


Final Product:

The architecture reinforces the theory that structural form is a product of conflicting ideologies which result in a "Gordian knot of new ideas." This is evident through the tension between the two central elements of the facade whose chaos combines to create a new entity.


The school and its surrounding valley terrain.



The facade and bridge between the valley.




The relationship between the folly, elevators and school.



Please note: the details and locations of the room requirements for the assignment are posted below entitled "Drafts and Details".

ELEVATOR VIDEOS:

Unfortunately fraps only allows 30seconds of video which was not sufficient for the video to capture the full span on the elevator from folly to bridge. However, the speed of the elevator was increased for the student elevator video to 7m/s which in turn resulted in the jolting of the imaging. 







CryEngine Link:

https://www.dropbox.com/sh/81uan733ofqinf0/0uM-FVTDKx